- A metal or plastic film tank
- Three dark plastic containers to hold chemistry
- Graduates
- A darkroom timer
- A can opener
- A room that is totally light proof
Chemicals Needed: - Developer
- Fixer (hypo)
- Hypo Eliminator
Summary: Start out in a dark room with the film. Makes sure to have the chemicals needed already measured out. The developer (1:3 chemical to water ratio), the stop bath (1:63 chemical water ratio), the fixer ( 1:4 water to chemical ratio) & the hypo eliminator (4.4 Oz). The chemicals are 20 degrees Celsius & the water mixed with them is 68. Open the film canister and cutoff the tabs of the film to make it a straight piece of film. Put the film into a reel, threading it in between the top and bottom.When it reaches the end, pull the end off and remove the tape. Put it into the developing tank.
Friday, October 29, 2010
Process B&W photos
Materials Needed:
Thursday, October 14, 2010
Funny Captions
Panda Po bear is sliding down the ramp. He then got stuck for about three hours, fire marshals were called. |
Is this real life? My fancy cat didn't like baths, so we made a compromise. |
Following the accident of Pentmore bay, two boxes reconcile. No dryers were hurt in the taking of this photograph. |
Tuesday, October 12, 2010
Marlboro Marine
Sinco grew on his Miller, he became emotionally attached and therefore, cared just that much more about his work His slide show told a story and delivered a message through text, audio & image.
The effect of the slide show moves the public. It surprisingly meant a lot in the end because of how deeply entrapped the audience became with Miller. The central message of how difficult it is for him to just get on with life like before, how suicide was a serious option and the feeling of under appreciation ate at him.
The image that spoke to me the most was the icon for the war. Simply because he's all dressed up & ready, yet still aloof and gone.
The most powerful sequence of images was when Miller was standing on a parking meter and he was saying how he felt isolated & it went to stop motion with blurs of people walking by. When he ended his sentence he was alone again.
The audio aided in telling the story, progressing it & allowing us to get inside Miller's head & feel his pain as he feels it.
The chronological order of the photos and how it related to what Miller was saying progressed the story.
The effect of the slide show moves the public. It surprisingly meant a lot in the end because of how deeply entrapped the audience became with Miller. The central message of how difficult it is for him to just get on with life like before, how suicide was a serious option and the feeling of under appreciation ate at him.
The image that spoke to me the most was the icon for the war. Simply because he's all dressed up & ready, yet still aloof and gone.
The most powerful sequence of images was when Miller was standing on a parking meter and he was saying how he felt isolated & it went to stop motion with blurs of people walking by. When he ended his sentence he was alone again.
The audio aided in telling the story, progressing it & allowing us to get inside Miller's head & feel his pain as he feels it.
The chronological order of the photos and how it related to what Miller was saying progressed the story.
Friday, October 8, 2010
FOAM & Grief.
ATPI Photography Shortcourse
The globe coming from the shadow gives me a feeling that there's more then meets the eye. Layout of the passport is unique and chronological, I want to travel the world. It also reminds me of Star Wars.
Wednesday, October 6, 2010
Great black & white photographers part 3
The floor is damp, I feel wet. The morning chill broke through my jacket as I hurried across the street, avoiding the non existent traffic. I just didn't feel safe in the middle of the street. The cold, crisp smell after rain filled my nostril and the aftertaste of coffee (because I drink coffee) dizzied me. I was late for the first day of school.
It's eerie, I see fields and fields upon white. The cold numbs me and crawls up my spine. Feeling scared and tasting the dirt as the smell initiates me, I continues to pose like that statue I am. It's never enough.
It's eerie, I see fields and fields upon white. The cold numbs me and crawls up my spine. Feeling scared and tasting the dirt as the smell initiates me, I continues to pose like that statue I am. It's never enough.
Monday, October 4, 2010
Filling The Frame
At first you're just like, 'oh cool, someone with his big head drawing stuff' but look closer & you'll see an abundant amount of stuff. First off, his reflection in the mirror looks pretty interesting, it's a few shades darker & fits the frame. Second, the random drawing poking out on the bottom right is just there. Third, his drawing is nice and he dresses accordingly too. Also the basket and media make for a busy scene.
Action & Emotion.
Being on the stage, it's a new feeling, being nervous, in the middle of some guitar solo. This picture resembles the frightening jitters of public performance but also the confidence of these band members, it's a good feeling. They can pretend they know what they're doing & by the end they'll have the crowd fooled.
The Story
This is the story of a young girl in sewing class. Her face expression represents playful confusion and a sort of nonchalance. She's having fun & she knows what she's doing. Probably could be doing something else though.
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